Tag Archives: photography

Amazing Grace

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One of the things I liked best about my old job was being close enough to the East Bay Bike Path to be able to go for a ride after work. I just love going for a ride along the water around sunset

I decided to go back for a ride this evening. The days are short enough now, and night falls quickly enough now, that I had to time things carefully. Tarry too long at the far end of the path, and it’s fully night by the time Pomham Rocks Light comes into view.

Tonight, I timed it just right. The sun was still pretty high when I paused by the water in Warren, but the sun had set and the clouds had turned pink by the time the lighthouse came into view. And then, Judy Collins’ Amazing Grace came on the iPhone, and it was perfect.

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Growing up, during our vacations at the Cape my parents liked to go for rides after supper, usually winding up at a beach for sunset. The radio station my dad liked had to sign off at sunset, and often signed off with Amazing Grace. Hearing it again at sunset brought back a bunch of memories.

Slide Scanning Update

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I was just re-reading my post on my slide scanning workflow, and thought I’d post an update. I’m just about to finish my second carousel, and I’ve made a change that has sped things up a bit.

First of all, I’d like to mention that VueScan no longer requires the the slides to be set to “Mirror”. There was a update a couple of months ago that took care of this issue.

Second, I’ve found a better way to use the “Dust and Scratches” (DS) layer that I generate using the old Polaroid Dust and Scratches plugin. I would imagine this technique would also work with the default Dust and scratches plugin too. To recap, I found that the Polaroid dust and scratches plugin did a very good job of getting rid of dust spots, and to a lesser extent, fungus, but it also left artifacts, and removed detail.

Kids watching my uncle feed a squirrel

Cousin Susan, Uncle Tom, and neighbor watch my Uncle Dick feed a squirrel. Circa 1955

Previously, I was running the filter on a copy of the file, and then adding the result as a layer, and erasing the layer where it was causing problems. This created a lot of work, because I had to carefully inspect the whole image in order to erase the layer where it was causing problems.

Eventually, I realized it would be better to reverse things. Now, I add the layer, and immediately add a layer mask to it in Photoshop, making the layer completely transparent. Layer masks allow you to make make parts of layer transparent or translucent. When the mask is black, the layer is transparent. Where the mask is white, the layer is opaque. Gray generates a semi-transparent area. Once the mask is created, you can paint on it with the brush or any of the other tools, allowing very good control of what parts of a layer are visible. It’s a great tool for creating collages.

So I start off with a completely transparent DS layer, and then use the graphics tablet and brush tool to unmask the layer over dust spots. Generally speaking, for spots and fungus tendrils, it’s faster than using the Spot Healing Brush, and working this way allows me to avoid applying the layer to areas with a lot of detail. For hairs, scratches, and areas of detail, I find the Spot Healing Brush works better—it’s more complete, and it’s less likely to add artifacts or remove detail.

I’ve found this speeds things up quite a bit, since I can keep the brush away from edges and detail, only applying the layer where it’s needed. This means I don’t have to keep checking the DS layer to make sure it isn’t obscuring detail. It’s also usually faster than the Sport Healing Brush — my aim doesn’t need to be as accurate, and I don’t have to fuss with it as much. Using this technique (plus the fact that the current batch of slides hasn’t been as dirty as the first batch) meant that I was able to get many more slides scanned for my aunt than I anticipated in time for Christmas.

Happy 2014

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Happy New Year 2014! I tend to agree with what Rich Siegel said on Twitter last night,”Oh, and a final thought to 2013: DONT LET THE DOOR HIT YER ASS ON THE WAY OUT.”

I went to First Night last night, and had a grand time, despite the cold. Dressing for it helped. I saw the procession from around Arlington St. It started off with a big truck carrying Mayor Menino and his party, blowing confetti all over the place:

Confetti truck at the First Night Grand Procession

Confetti truck at the First Night Grand Procession

After the procession passed, I walked up to the Public Garden (re-experiencing the tail end of the procession) to watch the fireworks. They were great.

Fireworks

Fireworks over the Common

After the fireworks, I headed up through the  Common to look at the LED sculpture there; there was also a single, small ice sculpture. I miss having the big sculptures at the Common. From there, I headed down to the Old South Church to see the concert put on by the Old South Brass, Organ & Percussion. They were magnificent. The church boasts an incredible organ with about 8,600 pipes located to the front and rear of the church. When the bass pipes play, the floor shakes, and that’s what it did, as they started the program with the Fanfare to Also Sprach Zarathustra, more commonly known as the theme to 2001, A Space Odyssey. Then, when the brass and kettle drums came in—it was awesome.

After the program, I walked down to the Hynes to see a stand up comedian from Laugh Boston. I wish I could remember his name; he was good. A hall in the Hynes is not the best place to see comedy, but he made the most of it. First Boston had provided a sign language interpreter for him; it was interesting to see him play off her. I wish I could understand what she was ‘saying’.

While at the Hynes I saw a big computerized LED wall. It was kind of mesmerizing.

LED wall

LED wall

I then walked back to Copley Square; there was only one ice sculpture there, called “Peaceable Kingdom”, about the lion laying down with the lamb.

Peaceable Kingdom-- ice sculpture of the lion laying down with a child and lamb

Peaceable Kingdom

At that point, I didn’t feel like heading over to Fanuil Hall or the harbor, so I called it a night and headed home. On the way back from Riverside, I swung by the Weston Ski Track to take a look at the snowmaking.

All things considered, it was a good night. I wish the organizers would schedule around the early fireworks a little better; it’s hard to get from the Common to the Hynes to make a 7:30 program, which is partly why I chose the 8 PM program at Old South Church. I was using the First Night app as a guide; it was good for figuring out the schedule and location of the individual programs, but not good at describing or locating the “overall” features like where to find the ice sculptures or what time the fireworks would take place, what would be the route of the procession, or content that would be available all day.

Here’s to a bright shiny new 2014.